Dragonling Update: Time for Betas!

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Image Source: Clipart Kid.

This morning I finished my fourth revision of The Dragonling.

(Pardon me whilst I blow horns and throw confetti.) 🙂

It’s actually more like the fifth revision because I got about 80% through the fourth revision and realized I had a huge plot hole that needed mending. It was big. And it involved going back to the beginning and finding ALL of the places where I was working up to a particular event because I had to tweak them and change the order of a few things. If that doesn’t sour your day as a writer, nothing will. But I digress.

After two years in production, this book is now ready for beta readers. Took a whole year longer than my other books because I had to go back and re-read them and take notes on them to make sure I didn’t miss bringing any plot threads together for this one. In mentioning this to a few friends and family, I got the return question, “What’s a beta reader?” So, I’ll offer a brief answer here.

Just like it sounds, a beta reader is someone who reviews the script before it’s published. My experience with alpha readers is that they offer feedback on sections of the work before the entire script is finished. Thus, betas are usually the second set of people to see it and from beginning to end, rather than in pieces. The beta reader is not an editor or proof-reader, but they can call out mistakes and make suggestions like those professions all the same. Beta readers usually aren’t hired professionals, but they can be.

Basically a beta reader is someone who matches the type of audience you would be selling the book to, so they can give critical feedback from a reader perspective. Beta readers need to be able to express WHY they did or did not like something and note any confusion or major reactions to let the writer know the work’s strengths and weaknesses, rather than offering a generalized, “I loved it!” or “It sucked!” Anyone a writer would trust to give honest critical feedback can be a beta reader.

In the case of The Dragonling, however, my choices are little more limited. The monkey wrench in finding beta readers for this book is that it’s the fifth in a series. It’s not a fifth volume in a collection, either. It’s a fifth book in an arc. That means the reader really needs to have read the first four books before attempting to tackle this one, or they’re going to miss a lot of references from them and possibly risk not understanding the main plot. Finding beta readers for stand-alone books is much easier.

The other problem with finding beta readers is that authors want to find someone they can depend on. If betas are too busy, don’t enjoy reading, or don’t enjoy your genre, you may never see feedback from them. And you will have wasted a month or more waiting for it. That’s a month or more that you could have been seeking another beta reader, or at least sent it off to the editor for the final edits. It’s not necessary to have beta readers, but most writers find their feedback helpful, if not invaluable.

So, if anyone ever asks you to do a beta reading, only take the job if you are genuinely interested in the author’s work, have the time to finish reading the script in a timely fashion, and can offer commentary along the way. If you offer to beta for a writer, but then something comes up and you can’t do it, let them know you need to cancel ASAP.

Wish me luck in finding any previous beta readers who would be willing to test drive this baby! And then I am ready for a hard-earned vacation while I await the returns! (Actually, knowing me … I will shorten vacation to focus on further developing book 6. I don’t know how to not write.)
-_-*

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